The Symphony

I enjoy classical music. More than any other kind of music, the composers of great classical music wove melodies and harmonies together, often mixing layer upon layer of different music, weaving it together into a glorious piece. The fact that some, like Beethoven, couldn’t hear what they were composing overwhelms me.

You couldn’t ever play a symphony on a single instrument. Which melody would you play? They’re all woven together, each instrument taking our turn at the forefront, taking a turn in the background. When they’re all playing the symphony together, the result is glorious!

“Symphony” is an interesting word. It’s actually a Greek word that’s so unique that we don’t translate it, we just use English letters to pronounce it with.

The Greek word συμφωνέω (“symphōneō “) means “to agree together,” or “to agree with one in making a bargain, to make an agreement, to bargain.” Our working together – not all doing the same thing, but working, each in our own way, toward the same end – is a symphony.  

Our word συμφωνέω is the heart of Jesus’ declaration in Matthew 18:19: “Again I say to you that if two of you agree on earth concerning anything that they ask, it will be done for them by My Father in heaven.” This is a symphony.

I suppose that there are a few things that stand out to me in this:

§         Our “agreeing together” makes beautiful music in heaven. I’m going to go out on a limb here and guess that it makes Jesus really happy.

§         This isn’t about numbers. He doesn’t say anything about “If you gather all the Christians in the city….” The symphony begins with “two of you.” I think we miss this one sometimes.

§         Our “agreeing together” isn’t about us doing stuff in unison. If every instrument played the same line, the only variation would be when someone missed the note, and it would sound like a junior high school band concert. There is nothing beautiful in the “symphony” produced that way, except that little Johnny is actually playing something; I sure wish he’d practiced his part.

I think we’ve missed this one sometimes as well. I’ve been browbeaten in the name of “unity” to do the thing that the browbeater is doing, in the way the browbeater is doing it, rather than playing my own part on my own instrument. I’m not sure that browbeating someone into submission is the best method of achieving beautiful music. I grieve that we’ve done that.

§         Our “agreeing together” is powerful. That symphony moves Father’s hand to do “any thing” (“each, every, any, all, the whole, everyone, all things, everything”) that we agree about. This is some of the beauty of the symphony, I think: actually seeing “on earth as it is in Heaven” happening, and us getting to take part in it.

The fact that we don’t see as much of Father’s hand being moved by unit may be a good clue: maybe the way we’ve been striving for unit isn’t the most effective way.

I suspect that we’ll accomplish the symphony of unity much better if we’re all playing the music that our great Conductor places before us: following the Conductor will be more symphonic than following another musician, no matter how good they are. The trombonist will never make beautiful music if he’s trying to play the timpani’s part. Or the piccolo’s part. Or the violin’s part.

More to the point, the trombonist will never be judged for how well he played the second violin’s part. His only reward will come from how well the trombone part came out when it was called upon.

My encouragement is for us to look to the Holy Spirit for the part you’re to play in this whole symphony, not to human leaders. We must fellowship together, yes. We can learn from each other, of course. We do well to “encourage one another and build up one another, just as you also are doing.”

Don’t follow the leader of the brass section just because he’s loud. Learn to play your own instrument, your own calling, your own gifting. And having begun, follow the Holy Spirit who’s conducting this symphony.